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Sunday, August 6, 2023

Fond Reflections


Devin didn’t take him back to the house right away. There was a bench halfway back down the hill, and they pulled over and climbed onto it, overlooking the bare tree trunks, the glimpses of dead brown field grass below. A wisp of smoke curling up from the house chimney, visible as a smudge above the tree tops.

Devin lit two cigarettes and passed one over.

The first drag hit Toly like something harder and more necessary than nicotine. “Thanks,” he croaked out, and didn’t just mean for the smoke.

“’Course. That’s what family’s for, right?”

Toly skated a sideways look at him, trying and failing to imagine a past in which he’d successfully predicted he’d end up somehow related to this man, of all people.

And then Devin said, “I’m proud of you. You did really well back there.”

Toly snorted to cover the traitorous way his heart flipped. “You don’t have to do that.”

“Do what?” All innocence.

“Pretend that…I dunno. You care. Like I’m your kid.”

“Well, I figure you almost are. All but in name, right? It’s bound to happen.”

Another snort, this one a little desperate, because it was bad enough when Maverick played dad; he couldn’t do it with his actual potential father-in-law. “You never even tell your own kids you’re proud of them.”

“Not true, now. Not anymore. I’m downright paternal these days.” When Toly looked over at him, he grinned and winked. “After all: a man can change, can’t he?”

Toly took a drag off his smoke, and thought of all his wants, unboxed, shining, possible. Achievable. “Yeah,” he muttered, and felt the first tug of a smile, the first he’d felt in a week. “I guess so.”


I don't like to presume that writing is a process that presents universal challenges and sentiments to its practitioners, but I do think there are some hang-ups that most of us could confess to struggling with. For instance, I've seen other authors talk about being sick of their own work. You get to that point, even with the most poignant and personal of passion projects, at which you'd be perfectly happy to never see the thing again. Yeet it into the void and run the other way. "Thank God that's over. What's next?" Again, not wanting to speak for everyone, but for me, by the time I've finished editing and have released a project, it's hard to feel much affection for it; I feel relief, yes, and pride, too, but it's a detached sort of pride. I'm proud that I scaled the mountain again...though now there's the shadow of the next peak keeping the sun off my face. 

That was a very long way of saying I need a little distance after I've finished a book. The flip side, then - the bright side - is that when I do revisit it, weeks, months, even years later, I'm reminded why I wrote the book in the first place. When I come back to a book, I get to look at it as a reader, and that's when I'm most proud of it. 

I had to look something up for Lord Have Mercy in Nothing More, and I wound up reading big chunks of text unnecessarily, because I was simply enjoying it. I love Raven, and I love Toly, and I love the way they play off one another. Readers had asked for years if I intended to write a book for Raven, and I never gave a solid answer, because I wasn't sure. It had to be right; it had to preserve Raven's...Ravenness. Hers would need to be a man who fit amongst her assassin family, but who she could also whisk away to Paris Fashion Week if the need arose. I blogged at length about all my behind the scenes reasoning when the book first dropped in March, and that reasoning still holds true today. 

I'm not sure what the point of this post was, other than to say: I like this book so much. After a few months away from it, I can look back over it with fresh eyes and feel incredibly satisfied with the direction the story took, and the way it was another steppingstone along the path to where the series is now. Not every book will be a universal favorite, and not every one will play out in the same way: it would be boring if they did. But they're all a part of the tapestry. Of the garden. Of the *insert preferred metaphor here.* 

It's so easy to become overwhelmed with the big picture, chewed up in the daily grind. But it's okay, and it's even important, to step back and appreciate the little things. Like the snippet I shared above, which is one of my favorites from the book. 

*Nick Saban voice*: It's a process. Trust it. 

**Nothing More is available for Kindle, Nook, Kobo, and paperback if you haven't read it. Be sure to get all caught up for Lord Have Mercy, part one of which is out now. ☺


8 comments:

  1. Love all your books, Snow in Texas one of my favorites, but I did not like Raven, she reminded me of a female bully and I just couldn't warm up to her in this book or the other ones that she appeared in, but I still loved the book because your writing is so wonderful.

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    1. I anticipated that Raven was the sort of leading lady who some readers - women readers - would feel less connected to. She's cold, and she's very firm in business, and she doesn't like to be coddled. She can be prickly, and she can even be bitchy. She has high expectations and isn't afraid to nudge a rude boy back in line. But I disagree with the assessment that she's a "bully." As someone who's been something of a bully magnet for most of my life, the thing I've noted all bullies have in common is that they enjoy inflicting harm, mental, physical, or both, on their victims. The bullies I've known are people who actively, aggressively seek to either physically hurt you, or belittle you, undercut your confidence, spread rumors about you, or ruin your reputation. Bullies delight in the fear and pain they inflict, and they always either try to crush someone they deem weaker than them, or tear down a rival. Raven doesn't do anything of the sort. She's kind and generous with her employees, and in no way seeks to harass or torment anyone. She is admittedly hostile with Melissa in moments, and doesn't trust her straight off the bat; she's sharp-tongued with Shepherd...who's a big boy who can handle it. And she spars verbally with her brothers, and Toly. But is her superior, sharp-tongued behavior any different than Fox's? Than Tenny's? Ian's? No. And they aren't called bullies. Sometimes readers don't connect with a character on a personal level, and that's fine. We all have preferences. But I can't agree that she's a bully.

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  2. I loved Nothing More. And Raven and Toly. There’s so many layers to both Raven and Toly and I loved reading about them. Excellent writing! I’ve read it numerous times and I’m going to read it again very soon. Thank you, Lauren!

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  3. Oops! The anonymous comment above is mine. Nothing More was everything!

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  4. Devin is fascinating. And this snippet was so Devin. Toly needed that moment and Devin gave it to him. ;)

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    1. Devin's so fun to write because he *knows* that he's been both a bad father and a bad person, he's very self-aware, but he also sort of can't help himself. It's an internal push-pull that makes him a really dynamic addition to any scene.

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  5. I re-read Nothing More while sidelined with Bell’s Palsy. I enjoyed all the people I love in NY and TN. I searched the recipe for Pieroshki, pondered the futures of Cassandra, Fox and Eden, wondered about future children for Toly and Raven, fell a bit more in love with Reese as he cracked some jokes and grew more into his own. I eagerly await the next installment in the Lord Have Mercy series. Their works is rich with things and people I like.

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    1. I'm so sorry to hear you've been dealing with Bell's Palsy. My dad had it several years ago, and it was scary and frustrating. It took months, but he eventually regained almost full facial function. I'm sending healing thoughts your way. <3 Thank you for your comment; I always love hearing that my characters can provide curiosity, imagination, and much-needed distraction. I would love to eventually feature Raven and Toly's children at some point; or even simply include them in the greater scheme of things. I have plans for Cassandra once I'm finished with Lord Have Mercy.

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