High school had treated a select handful like kings, and all the rest had been churned up in the machine, spat back out with an impressive collection of bruises and scars. Aidan had known one way of life, and because of it, he’d never been one of the kings. He’d had girls, and he’d had his share of notoriety, but his fame was the kind granted to drop-outs, back-talkers, bathroom-smokers, and class-skippers. He hadn’t ever hated school, it was just that it had always felt like such a massive waste of time. Men were dying, his father’s men, in a war of outlaw against outlaw, and kids two desks over had been having meltdowns about who to ask to homecoming.
I don't ever write straight-up self-insert characters. That would be silly, because all of my characters are the children of my imagination, so I work some of my own experiences and sentiments into all of my characters - sneakily, I hope. I wasn't a drop-out, back-talker, bathroom-smoker, or class-skipper, but, like Aidan, I felt like school was a massive waste of time. I was in all honors and AP classes, and always did my homework; performed well on my SATs. But there was so much pointless sitting around, and movie watching, and group reading. Lord deliver me from the in-class group "popcorn" reading. I would have much rather studied at home and focused all my efforts on my equestrian endeavors, but alas, I had to go to school.
I feel like Aidan and Tango meeting with Greg at Stella's is the Big Scene of this chapter. It's Aidan's first POV moment (he's a brat, and not my favorite Dog in a personal sense, but he's very fun to write), and it's the club's first step toward engaging with the rival Carpathians.
The Greg storyline is actually my favorite secondary plotline in the book. It offered me the chance to explore Aidan in an active, relevant way so that, going forward in the series, you know what sort of person he is. And there's a nice little line in this scene where we start see how deeply his sense of inadequacy runs.
Aidan grinned – nice and big, lots of teeth showing – and glanced over at Tango to get a matching one in return. They’d played this scenario out so many times over the years – he might not be his father’s go-to guy, no, but he and Tango could circle like boxers with the best of them. Maybe, one of these days, Ghost would take note of that.
Poor dude just wants his dad to be proud of him.
And I think Ghost, had he seen the exchange, would be very proud of Aidan for his little visit to a hungover Mercy at the bike shop.
“I think I misjudged you, five years ago,” Aidan said, levelly. “And I won’t make that mistake again.”
Aidan's not a confrontational guy when it comes to his club brothers, and he does genuinely like Mercy. But he's got his eye on him.
Downtown, Ava has her first run-in with Mason Jr. since coming home, and it's as traumatic for her as you'd expect. Not only does she have a physical anxiety response to seeing him, but she's forced to face the hard truth that, no, she doesn't love Ronnie, and doesn't think she ever will. Hardly a shocking revelation.
What I wanted to touch on with more depth is actually her description of the book shop.
Wherever she was, whichever city or state, whatever mood she was in, there was nothing like a book store to fill her up with happiness. Her favorite in Knoxville was Fourth Down, a tiny, cramped shop that boasted selling second-, third- , and fourthhand books of all genres, just around the corner from the university, the wall behind the register hosting a huge, artistic shot of Neyland. In this shop, she didn’t have to slog through the double-spaced, fast-read novels that leapt off the center displays in the chain bookstores. Here was where she found fat paperbacks with curling covers, cramped print, and coffee stains on the edges of the pages. Here were her favorites from the nineties, the lyrical novels that redefined genres. Here was where she stumbled across faded hardbacks with handwritten dedications in the fronts, that collection of Kipling poems dedicated to Martha, dated 1917. Fourth Down smelled of ink and dusty paper, collapsing bindings and musty cardboard covers. Dust motes swirled in big sprightly columns in the narrow shafts of sunlight that came in through the high windows. It was a magic place: books on shelves, on stools, in stacks on the floor, spread out in heaps on tables, piled to the ceiling between the windows. Shopping here always brought to mind the scene from Fellowship of the Ring, Gandalf digging through scrolls at Minis Tirith.
“Isn’t it wonderful?” she asked, voice dreamy, as she floated down an aisle and passed a finger along the spines of the books.
Ronnie followed a few steps behind. “It smells like–”
“Heaven?”
“Old people, I was gonna say.” He made a laughing sound in his throat. “You really do love books, don’t you?”
She sighed to herself. Once upon a time, she hadn’t ever had to explain that to her man. Once upon a time, she’d been stupid.
Here's a non-shocking confession: I love words. I love when a book has an enthralling or thrilling plot, sure, but I want that to be accompanied by an author's obvious, uncontainable love of words and the play of language. I grew up reading in the nineties, when books of all genres were lush and fully-fleshed, and I don't ever mind - in fact I prefer - stopping to smell the roses. Or, in this case, the old books. The hottest, trendiest books of the last ten years do not jive with my personal stylistic preferences, and it's one of the reasons there's been such an attempt to trash my work as "unedited" by a subset of GR control freaks.
It is edited, it's just not written to trend. I'm writing for the word lovers out there, and, as such, I get a little indulgent. Ava's moment here is not only reflective of that, but also my statement on the issue.






