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Tuesday, July 26, 2022

#TeaserTuesday - Fortunes of War

 I think one of the reasons the Drake Chronicles continues to be such fun to write is that it started as a whim. I wanted a change of pace and took a gamble on chapter one...and then each successive chapter, and by the time I'd finished the first book, the whole convoluted story of a series had unspooled in my head. It's wildly self-indulgent; draws on classic fantasy tropes and story structures, but with prose, plot twists, and character analysis that asks those tropes and structures to go the extra mile into "damn, she went there" territory. I think it has a bit of a fanfic feel to it, and for me, that's never an insult; fic takes the bones of a story and layers on the satisfaction that so often is sacrificed in the name of all that has come before it. I'm having fun with it, the little series that could. 

Here's a look at the opening of book five, Fortunes of War, which picks up directly where DOTD left off. 



1

 

Most nights, Oliver was so exhausted after a day of politicking, organizing, strategizing, and going for at least a quick ride on Percy that he barely had the energy to return Erik’s kisses, much less dream once he fell asleep. When he did dream, it was a vision of dragon-sight, sharing the view with Percy from up in the clouds. Sometimes it was through Percy’s eyes, memories or drake imaginings. Other times, like tonight, he was in his own skin, helmeted and armored, astride Percy as they plunged through clouds that shredded around them like damp parchment.

Tuesday, July 19, 2022

#TeaserTuesday - Long Way Down

A couple of scenes from Long Way Down, Lean Dogs Legacy Book Four, for #TeaserTuesday.  

Seemingly from two different worlds, Pongo and Melissa (Detective Dixon from TWC) have a lot more in common than she first thinks - namely, their willingness to do the difficult, right thing, whether or not it's the legal thing. A police procedural thriller gets a Lean Dogs twist in the next Dartmoor installment, coming soon 




When she sat down next to him, water glasses on cork coasters in front of them, she saw that he was mindlessly flipping through channels.

“Was I right?” he asked, ice pressed to his face.

She frowned. “About what?”

Tuesday, July 12, 2022

Paperbacks!

 I feel the exclamation point is necessary. 

I've always made sure my books were available in both print and eBook formats, but after the two months it took to make Golden Eagle available, I threw up my hands in defeat. The Amazon paperback interface just plain sucks, let me tell you, and the GE debacle nearly cost me my release day. Pair that with the pandemic mail situation, and I decided to release my first book of 2020 in eBook format only, with plans to get back to the paperback later...Plans that I put off for something like seven more books. I tried getting Lone Star uploaded on multiple occasions, and each time was stymied by error messages, and the Incredible PDF Altering Capabilities of the web interface. 

But apparently, I wasn't the only one with Amazon paperback tales of woe, because they've since streamlined the process, which I discovered Sunday night when I tried yet again. The bad news is that I wasn't able to get my full wrap covers uploaded - but the good news is, using simple Cover Creator backs and spines, I WAS able to make the books of 2020 and 2021 available in print, finally. 

I've still got to format and upload the Hell Theory books, but print-preferring readers can now get caught up with Dartmoor and the Drake Chronicles! 


Dartmoor

#7 - Lone Star



#8 - Homecoming 




#9 - The Wild Charge 




Drake Chronicles



#1 - Heart of Winter


#2 - Edge of the Wild 


#3 - Blood of Wolves 


#4 - Demon of the Dead 

Thursday, July 7, 2022

#DrakeChronicles - Looking Back



Each time I start a new manuscript, I ask myself why I don't write standalone books. It's an artform, truly, creating a story that is perfectly self-contained, a complete character journey without need of addendum. Standalones enable readers to pick any book from an author's catalogue at random, without having to have read any previous volumes. In that sense, they're simpler to market, and you have a greater chance of reaching a whole new audience with each book. I've told myself time and time again that I need to shift my creative process and work toward writing those sorts of self-contained stories. 

But then I reflect back on a character's beginning, and I think about where they're going, and even if it's a long slog, and it seems to take forever, writing a series is worth it. The character journeys are so rich when you have the time and space to play things out at your leisure. 

It feels like the Drake Chronicles have only just begun, but book 1 came out in 2020, and it's wild to see how the characters all started this journey. 

She looped her arm through his, and together they walked up to the makeshift gangplank the crew had fashioned of a few loose boards. They were slick and shiny with ice, as was the dock beyond, but the porters who’d come to collect their trunks didn’t seem to be troubled by this – probably thanks to the metal cleats Oliver glimpsed strapped over their boots.

He and Tessa, though, despite the heavy wool and fur cloaks they’d purchased before their trip, wore boots with soft, leather soles. Please don’t let us fall, he prayed, and took the first step.

He managed all five steps across the plank, Tessa clutching at him the whole time. Then they hit the dock, and a patch of invisible ice, and Oliver’s right foot slipped out from under him.

“Oh, bollocks–”

A hand grabbed his free arm. A large hand – a strong one. Somehow, miraculously, he didn’t fall and drag his poor cousin down with him. He was picked up, and set back on his feet, and a deep voice with an unfamiliar accent said, “You all right there, lad?”

He glanced up, startled, a little afraid, he could admit, and laid eyes on the largest man he’d ever seen. Tall, and broad-shouldered, and draped in layers of fur that made him look more bear than man, his hair a long, wild tangle, save for where it was braided down the sides, and, at his temples, shaved in long, thin lines.

“Shit,” Oliver said, before he could think better of it.

The man grinned, revealing one gold canine tooth. “Well. There’s a welcome.”

“Oh, no, no, I didn’t–”

“Are you from Drakewell? The Drakes?”

“I…”

“I am Tessa Drake,” Tessa said. “Lord William’s daughter. And this is my cousin, Oliver.”



And then the boys...

Belatedly, Oliver remembered his manners. “This is the Lady Tessa.” He hooked his arm through hers in a show of support. “I’m her cousin, Oliver.”

Rune’s brows shot up. “The bastard? The one who didn’t want to go to war?”

His brother elbowed him in the ribs. “What did I say about that?” he asked from the corner of his mouth. To Oliver: “Ignore him. Mum dropped him on his head as a baby.”

“Hey!”

“Lord Alfred’s son, right?” Leif asked.

“Um.” Oliver had faced any number of insults about his bastardy from courtiers of both sexes; snide comments and veiled looks. But though the word would always carry a sting, Rune hadn’t sounded rude – and now his face had fallen, his dark eyes guileless and defensive.

“I didn’t mean anything by it,” he said, half to his brother and half to Oliver. He mumbled, “Sorry, my lord.”

Oliver took a breath. He’d expected savagery in this strange land, and doubtless it was here, but so far there was nothing coy and cutting in evidence – an unexpected, but refreshing change from home. “No, no, not a lord. I am a bastard. But,” he added, feeling his face heat, “I was ill when the war started, and then encouraged not to come to the front.”

Rune’s nose wrinkled. “Really?”

“Rune,” his brother hissed, “stop asking awkward questions.”

“No, it’s fine. I’m not exactly a soldier,” Oliver said, lifting his arm in helpless invitation for them to examine his absolute lack of a soldier’s physique.

“So?” Rune said, shrugging. “You could learn.”

Leif stepped on his foot.

“Ow!”

Then he bowed to Tessa, the beads in his hair clicking together as it fell in gold waves over his shoulder. “My lady.”


And Erik...

Bjorn fired off a command to one of the men lounging against the wall – who nodded and left – then his hand was back on Oliver’s shoulder, pushing him forward again.

Right to the base of the dais, close enough to see that King Erik’s eyes were blue, but nothing at all like’s Leif’s, with their warm, quiet amusement. The king’s were hard, and flat, and unreadable – the nearest emotion seemed to be disdain.

Oliver gulped, quite against his will.

“These are the Southerners?” the king asked.

“Aye,” Bjorn said, and shook Oliver. He felt like a puppy in a giant’s grip. “Cousins! Lord Oliver and Lady Tessa.” Oliver was tired of correcting him, at this point. Bjorn laughed. “Say hello to your bride, Erik!”

Echoing laughter rippled through the crowd of bystanders, and Oliver bristled on his cousin’s behalf.

But Erik lifted a ringed hand and the laughter cut off suddenly, and completely. He stared at them – Oliver struggled to keep his shoulders back, and his spine rigid beneath the cold, judgmental weight of that stare – and then finally curled a single finger and said, “Approach.”

The princes stepped apart, their gazes watchful, and Oliver wasn’t going to let Tessa – now trembling – approach on her own. He covered her hand with his own where it rested on his arm, and they walked forward – up the three steps to the dais itself when that finger crooked again.

“Your majesty.”

“Your majesty,” Tessa echoed, softly, and executed a perfect, one-handed curtsy, though she shivered all over with nerves.

The king studied them each in turn, cold blue eyes moving impersonally over them, head to toe. When it was his turn, Oliver felt sure Erik could see how nervous he was – how afraid.

Watery sunlight pierced a high window, a single, white shaft that caught the silver of the heavy ring on the king’s first finger: it was shaped like a stag’s head, antlers and all, Oliver noted.

Finally, King Erik nodded. “Yes, fine. You’ll suit.”

“Beg pardon?” Oliver asked, as Tessa’s hand closed vice-tight below his elbow.

Erik met his gaze, finally, managing to be both disinterested, and piercing. “She’ll do. We can draw up the contract after supper.”

“Contract – your majesty,” Oliver said, trying to keep the desperation from his voice. “I’d thought you might like to get to know Tessa a little, before you agreed to marry her.” The king was certainly as handsome – gorgeous, his brain supplied, unhelpfully – as his nephews, but lacked all their charm.

Erik tipped his head back a fraction, so he managed to look down his nose at Oliver, despite being the one seated. He snorted. “I won’t be marrying her, Mr. Meacham.”

“But…the letter…” Oh, Gods, had there been some horrible miscommunication? Did Erik not know?

Another snort, this one accompanied by the faintest ghost of a mocking smile. “Do I look like I’m in want of a teenage virgin bride? No. She’ll be marrying my nephew.”

The statement should have been a relief – Tessa certainly relaxed with a sudden exhale – but it was said like a threat, and Oliver could sense nothing like a welcome.



Oh, how far they've come. And oh, how far there is left go. 

Whether it's books, movies, shows, comics, manga...my favorite part of a long, serialized story is getting to watch the cast grow and evolve, or sometimes devolve, whatever the case may be. Gimme the angst, and the revelations, and the hard-won bonds of love or friendship. When I'm writing, that's what I find most rewarding: getting to craft those long-form, hard-earned stories that take a long time, and a lot of obstacles and interactions, to develop. It's a little bit shocking to go back to the first chapters of Heart of Winter as I start Fortunes of War. Everyone's changed - Leif most of all. Poor Leif. I have such plans for him. He started as the stalwart, boring older brother, and now, well...you'll see. 

Big casts are my jam, so it has been - and will continue to be - fun to hear from readers about which character they're most interested in. The beauty of an ensemble, despite its challenges, is the chance for everybody to form a favorite. 

If you haven't snagged Demon of the Dead yet, it's available now! Working on book 5 as we speak. 

Tuesday, July 5, 2022

#TeaserTuesday - Long Way Down

I've spent the day making excellent progress on the next Dartmoor installment - this one's actually going to be a Lean Dogs Legacy novel, for classification purposes. It takes place in New York (and a little bit of Mississippi) and focuses on Melissa Dixon and Pongo, both introduced in The Wild Charge. In a previous post, I described it as Silence of the Lambs meets Law & Order, and I'm sticking with that comparison for now. It's a bit of a tighter story, if you will, focusing on our main couple and their personal issues, rather than the club action as a whole - though there will be references to all that's happened in the Dartmoor universe thus far. 

It's titled Long Way Down, and here's an unedited look at part of chapter two:



From

Long Way Down
Copyright © 2022 by Lauren Gilley 


She sensed Contreras’s gaze, and turned her head to find him studying her, slight frown plucking downward at the corners of his mouth.

“What?”

He took a beat before responding, and she had the sense he was choosing his words carefully; a sense that left her bristling, because even if she was new to this department, and even if she was younger than the vets who’d been at it a long time, she loathed the idea of being handled with kid gloves.

Friday, July 1, 2022

On Magic

 “You said Erik gave me to you. That I’m to be your slave.”

“That’s right.” The idea still made Leif’s belly squirm.

Ragnar cocked his head. “Then how can I serve you, my alpha, if I’m locked up in the dark down here?”

A reasonable question, one Leif had been pondering for the past month. What good was a war prize chained to a wall for the rest of his days?

Erik had been the one to suggest they proceed by the old ways, but it had been Náli who’d offered the solution for such an approach. A pure silver, magicked torq, he’d said, would fit around Ragnar’s throat and prevent him from shifting to his wolf form, as well as mark him as Leif’s property to every Northerner. Once it had been applied, Leif could, in theory, bring him into his household and, as a strong alpha wolf himself, never need to worry that Ragnar could overpower him.

A tidy fix. But, still, Leif had hesitated to proceed, uncertain, Ragnar’s betrayal fresh in his mind.

Even as he brought him food, and worried over him, and sat here for hours, his wolf taking comfort in the presence of another of his kind.

Gods.

Leif took a deep breath. “I’ll talk to Náli, then.”

Ragnar grinned nastily. “Your little necromancer going to leash me?”

“Yes,” Leif said. “And if you don’t mind me, I’ll cut your throat.”

A beat passed. Leif swore he could hear the leap of Ragnar’s pulse as his expression slowly smoothed. A low, wolfish chuff. Then: “Yes, alpha.”



Demon of the Dead dropped on Tuesday, and it's the most magic we've seen in the series so far. I won't spoil it for anyone who hasn't started reading yet, but we learn a lot more about the origins of the North's magic through Náli's adventures in the "Between," beyond the veil of the living. Origins that - at least in part - shed some light on his death magic, the Drakes' ability to communicate with dragons, and Leif's newfound - or, er, new-forced-upon-him - shapeshifting abilities. For the most part, it's all magic inspired by that of the Norse gods, most of whom I've named using rare-form, or Danish versions of their names. "Val-Father" for Odin, for instance. Control over weather, and beasts, and death, and shapeshifting can all be found in the Prose Edda, twisted here for our series' universe. 

Drake Verse?

DLU - Drake Literary Universe? 

I'm up for suggestions. 

On Insta earlier this week, I mentioned my love of Tolkien, which has led to my love of Norse mythology, which has thus in turn provided the inspiration for this series (as well as much of what's to come in SoR if I ever get back to that). Middle-Earth is a fantasy realm in which the magic is fading. As the Elves depart for the Grey Havens, as men step forward into the leadership role, magic is shrinking and bleeding away, the landscape studded with old ruins, and ghost stories. We as the audience know that the future of Middle-Earth is a future populated by mortal beings with mortal, non-magical worries. 

I've taken the opposite tack with the DC, one that's common in the fantasy genre: in Aeretoll, magic is returning. In Aquitainia, it's learned that the country's rulers hid the old magics. But with the Sels attempting an invasion, and the drakes appearing, we're seeing a surge of magic across the board. I liked the idea of the series beginning with only the faintest touch of magic, and letting the audience experience its awakening alongside the characters. I'm also dead-set - in this series, and in every fantasy-themed story I write - on depicting magic as having a cost. As taking a toll its users. Just as physical exertion drains a person's energy, so too does magical exertion. Magic is at its most interesting as a story device when it's a challenge for the characters: skills that are ingrained and which much be honed through practice. There's a risk involved. The greater the power wielded, the greater the obstacle it becomes. I want the use of magic to be an integral component of the character's growth and journey, and not merely pretty decoration sprinkled on top of the plot. 

Things will get - you guessed it - even more magical as we continue. Expect Leif and Amelia to step forward with much more page time in book five, Fortunes of War. Oh, and Ragnar. He'll be there too 😏