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Thursday, August 30, 2012
Inside Scoop
I don't know if anyone else is this way, but I always enjoy when my favorite authors talk about their motivations and thought processes in relation to their various projects. Because Keep You is labeled a "contemporary romance", and because I know that tells a reader a whole bunch of nothing about the type of book it is, I thought I'd take today to talk about my own motivations.
Wednesday, August 29, 2012
A True Story: part 6
At his first show, Cosmo was
Cosmopolitan again, “by Peron out of Celestia by Donauschimmer”, and we went down
the centerline in the covered arena at Conyers to the sound of shuffling
footfalls in the bleachers that were loud as gunshots. I had a nest of snakes
in my belly, and the stress had turned my arms to overcooked spaghetti. Cosmo’s
owner was watching down at A with Mom
and I had a moose antler Trakehner pin on my lapel that she’d given me.
Monday, August 27, 2012
My Big News
I've been trying to get a book published for three years now. Three seperate books, three very different storylines, but always the same answer. I tried to do it the "right" way by querying and obtaining an agent. I had nibbles on each book, but no bites, and I finally came to the realization that I was going to have to take this into my own hands.
My novel Keep You is now for sale at Amazon.com: http://www.amazon.com/Keep-You-1-Lauren-Gilley/dp/1479150010/ref=sr_1_1?s=books&ie=UTF8&qid=1346009792&sr=1-1&keywords=Lauren+Gilley This is the Amazon US link, but it's available in Europe as well.
Gary Jones of Gary and Elaine's Photography shot my cover. I had this vision of red Converse sneakers done in black and white and red, and he captured it perfectly. http://www.facebook.com/#!/GaryAndElainesPhotography
This project is a bit of a departure from what I normally write. It's a romance, but also a family drama; a story about kids growing up and realizing what they mean to one another. Like I told agents:
"Keep You, complete at 99,448 words, is a contemporary romance with a literary fiction feel. Told in both the “Then” and the “Now”, the novel follows the story of Tameron Wales, a boy who had to grow up too fast because his mother needed him, and who drove away the love of his life on purpose so that he might spare her from the violent threat of his father. Joanna Walker, twenty-three and youngest of five, struggling to make ends meet post-grad, still doesn’t understand exactly what happened four years ago when Tam left her standing up against her dorm building, in the rain, like something out of a bad made-for-TV movie. She only knows that her brother Mike’s wedding – an extravagant, farcical Irish castle ordeal ordered by his fiancĂ©e – will bring she and Tam together again and that no castle in the world could be large enough to contain the history between them…nor the lingering emotions. Jo Walker is the kind of girl who knows what she wants out of life, and she’s always wanted Tam, even if she kind of hates him a little bit right now."
I had so much fun writing this and I'm really hoping someone out there will enjoy reading it. I ordered my own proof and the physical quality of the book is on par with everything in the bookstore right now. I was so pleased!
My novel Keep You is now for sale at Amazon.com: http://www.amazon.com/Keep-You-1-Lauren-Gilley/dp/1479150010/ref=sr_1_1?s=books&ie=UTF8&qid=1346009792&sr=1-1&keywords=Lauren+Gilley This is the Amazon US link, but it's available in Europe as well.
Gary Jones of Gary and Elaine's Photography shot my cover. I had this vision of red Converse sneakers done in black and white and red, and he captured it perfectly. http://www.facebook.com/#!/GaryAndElainesPhotography
This project is a bit of a departure from what I normally write. It's a romance, but also a family drama; a story about kids growing up and realizing what they mean to one another. Like I told agents:
"Keep You, complete at 99,448 words, is a contemporary romance with a literary fiction feel. Told in both the “Then” and the “Now”, the novel follows the story of Tameron Wales, a boy who had to grow up too fast because his mother needed him, and who drove away the love of his life on purpose so that he might spare her from the violent threat of his father. Joanna Walker, twenty-three and youngest of five, struggling to make ends meet post-grad, still doesn’t understand exactly what happened four years ago when Tam left her standing up against her dorm building, in the rain, like something out of a bad made-for-TV movie. She only knows that her brother Mike’s wedding – an extravagant, farcical Irish castle ordeal ordered by his fiancĂ©e – will bring she and Tam together again and that no castle in the world could be large enough to contain the history between them…nor the lingering emotions. Jo Walker is the kind of girl who knows what she wants out of life, and she’s always wanted Tam, even if she kind of hates him a little bit right now."
Sunday, August 26, 2012
Announcement!
I have an announcement that I'm really, really, all-caps REALLY excited about. I'll be posting it and links tomorrow morning first thing.
I do not have a future career as a model
For the record, nothing of this nature is ever really my idea. I hate pictures of myself. I'm picture-phobic.
But friends with a new photography business asked if I would "model" - and I use that word loosely because a cardboard cutout would be more photogenic - and they came out to the farm two weeks ago to take pictures. If you're going to be photographed, this is the way to do it. Gary and Elaine made it pretty painless.
Mom took behind-the-scenes shots with my camera.
The horses were afraid of the lighting equipment.
Riddick continued to get in the way.
Gary got the shots he wanted.
And he was gracious enough to do me a big favor. He took this cover shot that I am thrilled to death about!
Getting in on the testing phase of a new photography business is a great way to get affordable, high quality family pictures. Despite all my self-conscious fretting, it was definitely a good afternoon. Thanks, Gary and Elaine!
http://www.facebook.com/#!/GaryAndElainesPhotography
But friends with a new photography business asked if I would "model" - and I use that word loosely because a cardboard cutout would be more photogenic - and they came out to the farm two weeks ago to take pictures. If you're going to be photographed, this is the way to do it. Gary and Elaine made it pretty painless.
Mom took behind-the-scenes shots with my camera.
The horses were afraid of the lighting equipment.
Riddick continued to get in the way.
Gary got the shots he wanted.
And he was gracious enough to do me a big favor. He took this cover shot that I am thrilled to death about!
Getting in on the testing phase of a new photography business is a great way to get affordable, high quality family pictures. Despite all my self-conscious fretting, it was definitely a good afternoon. Thanks, Gary and Elaine!
http://www.facebook.com/#!/GaryAndElainesPhotography
Thursday, August 23, 2012
A True Story: part 5
At thirteen,
I thought dressage was about as exciting as a root canal. I was pony clubbing and
racking up 4-H ribbons with my Quarter Horse and all the top hat and tails
extravagance of dressage seemed part of an equine cult that I had no hopes of
ever breaking into. So, like every dumb kid, I turned my nose up at what I didn’t
understand. I have since lamented my stupidity, but that’s a different story.
Cosmo was
deemed – as expected – “unsalvageable”. His owner told me, in a conspiratorial
stage whisper, that she was glad. “I want him to be a real horse,” she said, “and
to have a little girl”. Enter said little girl. And thus I was given free rein
to ride and rehab him.
Saying I had
dressage lessons would be a lie. To begin with, I had rehab lessons. Kelly was
undaunted by his fitness level (or lack thereof) and I was too giddy about
being eighteen hands up in the air to be discouraged.
We made for
the most ridiculous horse and rider pair. I topped out just shy of five feet; a
soon-to-be-high school freshman with glasses and a retainer and…well…don’t
expect any close up pictures of me from those days. On top of a ribby,
patchy-haired bay moose who looked like he should have been hitched to a plow,
I was every inch the barn rat with my reject, rescue nag. He had a long, long
way to go before he was even sound, let alone fit for anything. And I’m sure
that when he hit the ground twelve years before, all long, newborn legs and big
head, no one had ever thought he’d be gimping along for a kid, a transition
between trot and walk an applause-worthy feat, but that’s what happened. All he
lacked in muscle he made up for twice over in heart, and a year later, he was
back in the show ring.
Thursday, August 16, 2012
A True Story: part 4
So, Cosmo’s left
hind leg had a big ‘ol crater in it. He slowly gained weight, and as the fungus
cleared, hair began to grow. Flesh filled in his ribcage and I could no longer
count the vertebrae in his neck. But that hunk of missing muscle in his
haunches gave him the mother of all pimp walks. Rather than articulate his
hock, the entire hind leg lifted as a unit with each step. It moved in a series
of quick jerks. Click-click-click,
and then clapped back to the ground. He had no pushing power with it; it was
very much a peg-leg gait.
But horses
are grazers, and much of their circulation and digestion depends heavily on
continuous movement. Plus, like humans, injuries are less stiff and scar tissue
more manageable when they get steady exercise. The general rule is: stiffness
should be treated with light to moderate exercise. If a horse is notably lame –
favors a leg in a head-bobbing, limb-dragging, obvious way – or if there’s heat
or swelling, the horse should be rested.
Retired for
a year, Cosmo had had plenty of rest – plenty of starvation too – and he was
not, even with the clicking, peg-leg, lurching pimp walk, lame. Cosmo’s owner said that after his “injury”, she was given
pages and pages of rehab therapy to do with him, but it hadn’t ever been done.
My vet said a little exercise wouldn’t hurt. He had what the doctor called…well,
to be honest, I don’t remember. Something-myopothy that was diagnosed by his
particular gait and nature of his gluteal muscles. But, the point was, some
rehab would do him good.
Twelve years
old and really not in any position to rehab anything, I began the process. So,
so many horse people are impatient when it comes to their horses’ fitness, but
I was too patient, a trait that sometimes frustrated others. There was no such
thing as too patient with this horse.
We started
with hand walking. Cosmo – even after being failed by humans – was such a
people-horse. He loved to be social, so he was happy to go for long, slow
walks. Then we progressed to up and downhill walks. Trotting in hand. When I
started longeing him, it was not in the traditional sense: I jogged alongside
him so he could go all the way around the arena because tight circles would
have been too hard on him.
Then Cosmo’s
old trainer learned what I was doing. She wanted to, in her words, “come get on
him and see if he was salvageable before she turned him over to a kid”. But I was the one with the real trainer – the trainer who
understood that things take time, who knew that under their shiny coats and
flashy movement, horses have personalities and hearts. I have Kelly to thank
for developing my attitude toward the sport: making the most of what’s in front
of you, taking care of your horse is more rewarding than any award.
Tuesday, August 14, 2012
Poor Little Authoress
There's a chapter in Little Women entitled "Literary Lessons" in which Jo decides to greatly shorten and simplify her manuscript in order to sell it. Making it more "sensational" and less realistic. Her father and Meg urge her not to change it, sure that all meaning of the story will be lost without the details. Her mother wants her to learn the lessons of criticism.
I had the biggest smile on my face when I read this chapter because the publishing industry hasn't changed. If anything, stories are even simpler and more sensational.
I had the biggest smile on my face when I read this chapter because the publishing industry hasn't changed. If anything, stories are even simpler and more sensational.
Thursday, August 9, 2012
A True Story: part 3
A healthy
horse would have foundered on the amount of protein-rich hay and grain we
poured to Cosmo those first three months. It’s always better to introduce any
drastic nutritional changes slowly over time so the horse’s digestive system isn’t
shocked, but the vet said we didn’t have time to play around with that. Cosmo
was at least 800 pounds underweight, and our vet said that without an instant,
dramatic change in his diet, he would very literally starve to death.
He ate three
meals a day, a standard 8 quart feed bucket overflowing with Senior feed (high
in fat and protein) rice bran, rice bran oil, a probiotic, vitamin supplement,
hoof supplement and a joint supplement for his bum leg. He was fed pounds and
pounds of alfalfa hay and was turned out in a private grass paddock. All of his
dietary needs were being taken care of. He had a stall and clean water and, as
farm employees, that was where our responsibilities ended. Owners groomed and
exercised and doted on their own horses – we were simply housekeeping.
But it
became apparent that, though his owner loved him and provided for him, she wasn’t
going to be a presence in the barn. Enter a life lesson for my twelve-year-old
self that would prove lasting: sometimes, when you do the right thing – the thing
that helps someone – it pays off in ways you couldn’t imagine.
My mom went
out and bought a gallon of iodine shampoo and two scrubby mitts. Cosmo was the
most wretched, pitiful thing on four legs, and his head hung listlessly while
we bathed him that first time, scrubbing at the crusty, oozing sores across his
back.
“Is his
owner paying you to do that?” someone asked my mom.
“No,” she
said, “but this poor baby needs someone to love him.”
We started,
and it was more Mom than me, grooming him every day. She attacked his rain rot
with a curry comb and antifungal wipes and sprays. I had never heard that
inhalation of such a severe case of fungus could lead to a respiratory
infection, but Mom ended up with a case of pneumonia that needed multiple shots
of cortisone to control.
While she
recovered, I took over with Cosmo, armed with a paper dust mask and sometimes
safety goggles.
Three months
later – despite lack of payment, to the shock and head-shaking of everyone else
at the barn – Cosmo was starting to look more like a horse than a skeleton. And
he was starting to come alive. He nickered for breakfast and lifted his head
when we called him; he rubbed his massive heads against our shoulders and
leaned into the curry when we brushed him. He was big on touching – always
reaching out to place his muzzle against some part of us.
Cosmo (and Mom) after two months of all the food he could eat.
We don't have pictures of his first few weeks, much to our dismay
We don't have pictures of his first few weeks, much to our dismay
My trainer
watched the transformation taking place and asked one day, thoughtful, if Cosmo’s
owner would ever let me ride him. I laughed – he was injured and half-starved,
why would we even wonder that? But she maintained the curiosity. Opportunities
to ride horses of his caliber did not come along every day.
I didn’t
realize that, or even see the caliber, until he became strong enough to trot
across the paddock. He was excited for dinner and he lifted his giant body,
tucked his head, and floated across the grass. He could move. Even with his injury, still skinny, ribs protruding, he was
impressive.
Wednesday, August 8, 2012
A sunflower, a sequel, and neglect
This is the volunteer sunflower that's growing off the back patio. The birds kicked black oil sunflower seeds out of the feeder and from one of them, grew this monstrosity. It's funny that while the carefully watered and pruned potted plants are dying, here's this seven foot tall accident.
Because I obnoxiously link all things to writing, I find the irony comforting. When I try to make a story happen - when I sit down and decide I want to write a specific kind of story - creativity abandons me. It's the accidental stories that have a way of growing into something I never expected.
Keep You was one of those happy accidents. Now, I'm neglecting my blog as I work on the sequel. As a reader, I like sequels, but only if they're well-done. As a writer, I hope I'm getting it right, though it's a bit strange to work on a sequel when the fate of the original hangs in the balance.
But because I've decided wasting time is not in the least bit fun, I've set myself a deadline. If a certain thing doesn't happen before September first, I'm taking proactive steps toward my goal. September of 2011 was a difficult month, so this year, I'm going to ensure it's a good one.
Because I obnoxiously link all things to writing, I find the irony comforting. When I try to make a story happen - when I sit down and decide I want to write a specific kind of story - creativity abandons me. It's the accidental stories that have a way of growing into something I never expected.
Keep You was one of those happy accidents. Now, I'm neglecting my blog as I work on the sequel. As a reader, I like sequels, but only if they're well-done. As a writer, I hope I'm getting it right, though it's a bit strange to work on a sequel when the fate of the original hangs in the balance.
But because I've decided wasting time is not in the least bit fun, I've set myself a deadline. If a certain thing doesn't happen before September first, I'm taking proactive steps toward my goal. September of 2011 was a difficult month, so this year, I'm going to ensure it's a good one.
Sunday, August 5, 2012
A True Story: part 2
We live in
an age of exaggeration. People say “I almost died,” over a paper cut, and “I
rocked!” when they didn’t. Which is why I always had the feeling no one
believed me when I told them what Cosmo looked like that first day.
Cosmopolitan,
eighteen hands high (that’s six feet even at the shoulder), sired by an Olympic
stallion, shown through second level and trained through Prix St. George, was
never destined for the Olympics. Genetics guarantee nothing. But he was a
beautiful, high-dollar show horse, talented and intelligent. When his owner
called looking for boarding, he’d been out of training for over a year due to
an injury. It was a sure bet he’d never show again, doubtful if he could even
be ridden, and he’d been retired on a farm where neither owner nor trainer
visited him. He’d also been starved, nearly to death, and his owner was
panicked about finding a place to stable him where he would actually be fed.
Cosmo, my
mom informed me when she picked me up from school on the day of his arrival,
looked like a Holocaust survivor. There was a buzz at the farm, a low-pitched
hum that was emanating from the last paddock up the driveway because everyone
was tear-choked and shocked by the “fancy dressage horse” who’d arrived earlier
that afternoon. The vet had come and gone and left a list of the animal’s
emergency nutritional needs and Cosmo’s owner had logged her credit card at the
feed store and told my mom to, “get him whatever he needs.”
I was the
only one who hadn’t seen him, and was dying to. Mom handed me a halter so long it
could have hung around my neck and tripped up my feet and said that, even
though I was twelve and tiny, it would be okay for me to bring him in by myself
because he was, “too weak to misbehave.”
All the way
up the driveway and there he was, nibbling feebly at the sandy grass just
inside the gate, big as a brontosaurus with hooves the size of dinner plates.
And he was ruined. Whatever he’d been before, however brilliant he’d been, he
was completely, devastatingly ruined.
People say “skin
and bones,” and it’s only true half the time. Cosmo was skin and bones. His massive knees and hocks, the knobby vertebrae
in his neck, the hollows of his pelvis, each smoothly curved rib was stark
beneath the leathery, too tight skin stretched over them. His hair was gone – a
few tufts of red bay stubble clung to his belly and shoulders, but the
widespread rain rot on his back and hips and face had taken away his coat. The
fungal infection was so bad that half-dollar size crusty barnacles pocked his
flanks. His huge mule ears flopped lifeless on either side of his head.
His “injury”
– that we would later learn the truth of – was a great sunken cavity beneath
his tail and dock: the meat and muscle of his hindquarters wasn’t merely
atrophied, it was gone, surgically removed after a massive hemorrhage.
I didn’t
cry, like so many people did, but the sight of him was sobering. He was nothing
but bone, hide, and the muscle it required to stand upright. He didn’t even
look alive.
When I went
into the paddock to halter him that first time, he didn’t see me, his eyes like
glass, and for one long moment that smelled like the stink of his rotting skin,
I wondered how I could slide the halter over his head because he was much, much
too tall for me to reach. He was taller than any horse at the farm. Taller than
any horse I’d ever been in the presence of save Budweiser Clydesdales. He let
me walk up to him and touch the end of his nose, and then slowly, like the
effort of doing so might make him collapse, he lowered his mammoth head, pressed
the white star between his eyes against my chest, and his brown, glass eyes
blinked while I haltered him. It was the first, but not the last time he’d help
me, and I walked backward down the drive in front of him as we began the
arduous journey to his stall, awestruck.
His owner
had tears in her eyes when she talked about the trust she’d placed in the farm
that had almost killed him, the money she’d paid them for the mass amounts of
food he consumed daily. She was not a rider, but an owner and benefactor, and
her guilt was palpable.
“He won’t
ever look like this again,” my mom promised her, and he never did.
Wednesday, August 1, 2012
A True Story: part 1
In life, I
think it’s rare and lucky to be inside one of those Big Realization moments and
be conscious of it while it’s happening. To feel your pulse pick up, the sweat
trickle down your temple, to breathe in the sights and sounds and scents of
that instance and to know that, in the grand scheme of your life, the simple
act of being in that place is more important than what you are actually doing.
The way you analyze your hopes and dreams, accomplishments and goals, is being
shaped right then.
For me, the
blood pounding in my ears was like a kettle drum. My hands went liquid soft on
the reins. One of my Big Realizations took place, surprise surprise, on the
back of a horse.
In 1996,
Michelle Gibson rode the Trakehner stallion Peron to Olympic Bronze at the
Georgia International Horse Park in Conyers.
Peron and Michelle Gibson in 1996 |
Five years
later, I met Peron’s son and I had no idea, laying eyes on that broken, nearly
starved skeleton covered in rain rot, that I was about to learn exactly why his
father had been so successful. It was the same collection of traits that made
Cosmo, horse that he was, the most inspiring soul I’ve ever had the pleasure of
knowing.